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Abie Loy Kemarre - My Stories Exhibition

June/July 2024
Mbantua Gallery Alice Springs
Mbantua Gallery Darwin

Abie Loy Kemarre: My Stories

Abie Loy Kemarre, the eldest of five children, was born to Margaret Loy Pula and Ray Loy Pula in 1972 in Utopia, about 270 kilometres northeast of Alice Springs in the Northern Territory of Australia. She belongs to the Anmatyerre language group and her country is Ilyentye (or Ahalpere) in the Utopia region.
Abie comes from a distinguished lineage of artists. Her mother, Margaret Loy Pula, won the Wynne Prize in 2012. Her grandmother, Kathleen Petyarre (dec), was a respected senior artist, and her aunt, Gloria Petyarre (dec), was a celebrated artist. Both Kathleen and Gloria were a part of the renowned seven Petyarre sisters.
Abie's paintings are distinguished by their meticulous dotwork and contemporary designs, reflecting the stories and Dreamings she inherited from her ancestors. Over the years, she has evolved into an exceptionally skilled colourist and designer, experimenting boldly with elements of line, colour and form.
Awelye (Women's Ceremony) for Akatyerre (Desert Raisin or Bush Tomato)
River
Bush Turkey Dreaming
Bush Medicine Leaf
Abie began her artistic journey around 1994, under the mentorship of her grandmother Kathleen Petyarre. Kathleen played a crucial role in guiding Abie's early development as an artist. She taught Abie the intricate methodologies of dot painting, emphasising the use of fine dotwork to create detailed designs and complex optical effects.
Abie's bolder, thick-lined creations are initially formed using wider paint brushes. She then meticulously outlines these bold designs with her signature fine dotwork, creating a striking contrast and adding intricate detail to each piece.
To create her fine dotwork pieces, Abie uses bottles of paint topped with fine needles, applying each dot with meticulous care and patience. It is a mesmerising process to watch as the artwork takes shape, gradually building into a creation that vividly reflects Abie's imaginative vision.
Abie's Bush Medicine Leaf paintings are created using small, fine paint brushes. She carefully selects her paint colors and, with great patience, begins painting each individual leaf. Gradually, she builds these delicate details into the final, intricate creation.
Watch our videos below of Abie Loy painting.

Abie paints a variety of stories, with her most well-known works being Bush Medicine Leaf and Bush Turkey. She also depicts Akatyerre (Desert Raisin or Bush Tomato), River and Awelye (Women's Ceremony) in her art.
Bush Medicine Leaf
Abie depicts the leaf of the antywerleny (Acacia tenuissima), a type of wattle. The leaves of the antywerleny are traditionally crushed and mixed with animal fat to create a medicinal ointment or soaked in water to make a medicinal wash. Abie notes that this bush medicine continues to be made and used by the people of her country today.
“Ikwerthey anter-anem thelem, apernelheyew-anem antywerlenyel”
("Then you pour the fat into it and rub yourself with the antywerleny.")
30 x 30cm
$
595.00
 
$

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60 x 60cm
$
2,400.00
 
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Bush Turkey
Abie paints elements of the Bush Turkey story, a narrative deeply rooted in the ancestral Dreaming of her country, Ilyentye (also known as Ahalpere). The Bush Turkey (Ardeotis australis), referred to as arwengerrp in Anmatyerre, is typically found in densely grassed areas and remains a favored food source for Aboriginal people, with hunting still practiced today.
In her paintings, Abie's intricate dot work symbolises akatyerre (desert raisin or bush tomato), a preferred food of the Bush Turkey. The various lines depict the tracks of the turkey as it travels, often leading children on a search for bush tomatoes. These journeys occur in Ilyentye, on the "other side" of an old dry riverbed running through Mosquito Bore in Utopia. The central circle in her paintings represents a waterhole where the Bush Turkey comes to drink kwatye (water).

Awelye (Women's Ceremony) for Akatyerre (Desert Raisin or Bush Tomato)
Abie depicts awelye (women's ceremony and body paint designs) for Akatyerre, also known as the bush tomato or desert raisin. The akatyerre thrives on Spinifex sand plains throughout Central Australia and is characterised by its beautiful purple flowers and soft green leaves. Traditionally, Aboriginal people consume the fruit of the akatyerre raw or grind them into a paste, which can be rolled into balls and dried for storage during long periods of drought.
The linear pattern of stripes and curves represents the awelye designs associated with akatyerre. These designs are painted onto the chest, breasts, arms and thighs of women during ceremonies. Women sing songs associated with their designs as each woman takes her turn to be 'painted-up'.
MB061894-Abie Loy Kemarre
120 x 45cm
$
3,500.00
 
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MB061895-Abie Loy Kemarre
90 x 45cm
$
2,695.00
 
$

MB047995-Abie Loy Kemarre
40 x 20cm
$
495.00
 
$
Awelye (Women's Ceremony)
The linear designs represent awelye, which are women's ceremonial and body paint designs. These patterns are traditionally painted onto the chest, breasts, arms and thighs of women during ceremonial occasions. The paints used for awelye are powders ground from red and yellow ochre (clays), charcoal and ash. They are applied using a flat stick with soft padding.
During awelye ceremonies, women sing songs associated with their designs as each woman takes her turn to be 'painted-up.' These ceremonies hold significant cultural importance, serving as expressions of respect for their country and contributing to the overall well-being and health of their community.

River
There is an old dry riverbed that runs through Artita (Mosquito Bore) in the Utopia Region where Abie grew up. Shaped like a snake, this riverbed dried up many years ago. Abie recounts that when her grandparents were growing up, it was full of kwatye (water). They would often drink from it and collect kwatye for the community.
MB029801-Abie Loy Kemarre
30 x 30cm
$
595.00
 
$

Abie's talent and dedication have earned her recognition in the art world. She was a finalist in the Telstra National Aboriginal and Torres Strait Islander Art Award (NATSIAA) in 1997 and 2001, showcasing her work among Australia's best Indigenous artists.
Her artworks are held in major collections worldwide, attesting to her international acclaim. Her Batik works have been exhibited in Bali, while her canvas and linen paintings have been displayed in prominent galleries across Australia, including Adelaide, Sydney, and Melbourne, as well as in various international venues.
Abie recently visited her exhibition at Mbantua Gallery in Alice Springs. She expressed great joy seeing her artworks displayed prominently, allowing a wide audience to experience and appreciate her creations. Abie is passionate about sharing her stories and culture through her art and this exhibition provides a valuable platform for her to connect with people and convey the rich heritage and traditions of her community.
Mbantua Gallery has been fortunate to work with Abie almost from the beginning of her artistic journey. Over the years, the gallery has witnessed her development, observing how she has refined her style and grown in both skill and confidence. This long-standing relationship highlights Mbantua's dedication to supporting and promoting Aboriginal artists and it celebrates Abie's evolution as a remarkable and influential artist.
  • Abie Loy with Mbantua staff member Tomoko, Gracie, Katlin and Tanya Price.
  • Abie beginning an Awelye artwork.
  • Mbantua Gallery owner Tim Jennings with Abie as she meticulously works on her art.
  • Abie working on an Awelye (body paint design) piece.
  • The beginnings of a Bush Medicine Leaf artwork.
  • Filling in and finishing off a stunning Bush Medicine Leaf painting.

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