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c. 1928
Deceased:2023
Language Group:Alyawarre
Country:Atnwengerrp, Utopia Region, North East of Alice Springs, Northern Territory
Medium:Acrylic on Canvas and Linen
Subjects:Awelye (Women's Ceremony), Anemangkerr (Bush Melon) Dreaming, Akarley (Northern Wild Orange), Anthep Awelye (Ceremonial Dance)
Molly began painting in 2004 alongside her sister Geyla, encouraged by a large extended family of artists to share her stories in a creative way. Molly was the oldest female in the community, a respected elder, and a 'boss woman'. Her family includes many artists, most notably her late sister, the famed Minnie Pwerle, and her niece, Barbara Weir.
It was Minnie who, along with Barbara, inspired Molly and her younger sisters, Geyla and Emily, to begin painting. Molly's work focuses on the Anthep Awelye (Ceremonial Dance) relating to the Anemangkerr (bush melon). She used broad linear strokes to convey the Dreaming story passed down through her ancestors.
The bold linear pattern throughout Molly's painting, illustrates Awelye (Women's Ceremonial Body Paint Design). After smearing their bodies with animal fat, the women trace these designs onto their breasts, arms and thighs, singing as each woman takes her turn to be 'painted-up.' Awelye demonstrates respect for the land. In performing these ceremonies they ensure well-being and happiness within their communities. The Awelye in Molly's painting is associated with Anthep (Ceremonial Dance).