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1959
Language Group:Anmatyerre
Country:Alhalkere, Utopia Region, North East of Alice Springs, Northern Territory
Medium:Acrylic on Canvas and Linen, Wood Carving
Subjects:Atnwelarre (Pencil Yam) and Kame (Seed), Kame (Pencil Yam Seed), Awelye (Women's Ceremony) for Atnwelarre (Pencil Yam) and Anwekety (Conkerberry), Awelye (Women's Ceremony), Atham-areny Story, Ceremonial Woman, Echidna, Emu Dreaming, Kangaroo, Owl
Josie was involved in the 1980's batik movement that established the women artists of Utopia. In 2005 she began painting for Mbantua Gallery and paints Dreamtime stories passed down to her from her father's country, Alhalkere, as well as colourful depictions of life at Utopia.
Josie's mother, renowned artist Polly Ngale, sisters and aunties are all Utopia artists and the years spent watching them provided inspiration to her. Like most members of her community, Josie speaks little English but is very enthusiastic about painting and sees it as a means of language and expression of her stories and culture.
Having lived in a number of communities within Utopia over the years, including Homestead, Boundary Bore and Apungalingum, Josie is no stranger to travel and has proudly travelled to Perth, Melbourne and Darwin for her artwork. Josie continues to live out in Utopia with her husband, Dinny Kunoth Kemarre, their children and their extended family.
Kame, the seed of the Atnwelarre (Pencil Yam), is the subject of Josie's painting.
In the Dreamtime there are two parts to the Kame story. Two different seeds were born that created two different species of Pencil Yam, one called Atnwelarre which belongs to Josie's country, and the other called Arlatyeye which belongs to Arnumarra country.
