Ahakeye (Bush Plum) Dreaming

Lindsay Bird Mpetyane

c. 1942

2024

Eastern Anmatyerre

Ilkawerne (El-go-an-na), Utopia Region, North East of Alice Springs, Northern Territory

Acrylic on Canvas and Linen, Batik on Silk

Ahakeye (Bush Plum) and Elcudjera (Prickles), Ahakeye (Bush Plum) Dreaming, Arekwarr (Wild Pigeon) and Ahakeye (Bush Plum), Arlkeny (Men's Body Paint), Arrkernk (Bloodwood Seed), Ntang Artety (Mulga Seed) Dreaming, Spear Straightening Dreaming, Tyank

Lindsay was one of the few male Utopia artists, although under his instruction there were more than in previous years. He was an important tribal leader of his country, Ilkawerne (El-go-an-na) , in the Utopia District, which is northeast of Alice Springs. Lindsay was married to Mavis Petyarre and they had three daughters: Rosie, Jessie and Karen Bird Ngale.

As an important tribal leader of his country, Lindsay had to choose a successor to continue teaching new generations about the lore and stories of his culture. Though light-hearted and full of good humor, he acknowledged the dim possibilities of his people eventually losing interest in their rich culture and history. Painting for Lindsay was not only a passion but also a sincere desire to continue his legacy of teachings and encourage the growth and interest of the Ilkawerne (El-go-an-na) youngsters.

After the Utopia batik movement, in which Lindsay was the only male participant, he began painting in 1987 with several women and a handful of men, including Louie Pwerle, Gloria Petyarre and Ada Bird. his paintings were both iconic and linear and close to his spirit. He used traditional symbols to tell his stories on canvas, including concentric circles representing the significant 'place' of the story (for example, the Bush Plum tree) or a sacred part of the men's story. Lindsay also used his four traditional colours, consisting of the two ochres (yellow and red), black and white, each with specific meaning. He was also known for underpainting the canvas, usually in grey. Black, used in most Utopia art backgrounds, was a symbolic colour to Lindsay, while grey was a neutral colour for him to use. This made his paintings quite unique.

Over the years, Lindsay was an amazing source of information to Mbantua, enabling the traditions of his culture to be written down and passed on to art lovers throughout the world. Lindsay's enthusiasm for teaching about culture was also captured on DVD by the Mbantua Media Department, with Lindsay's permission. The DVD was presented as a gift to HRH Prince of Wales on his Royal Australian Tour in 2005.