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c. 1951
Deceased:2016
Language Group:Anmatyerre
Country:Ahalpere, Utopia Region, North East of Alice Springs, Northern Territory
Medium:Acrylic on Canvas and Linen, Batik on Silk, Wood Carving
Subjects:Anwekety (Conkerberry), Awelye (Women's Ceremony), Life and Death Dreaming, Bush Tucker, Camp Scene
Glady Kemarre, a well known Utopia artist, began her career in the late 1970's with the medium of batik. Over 80 other Utopia women participated in this practice for over a decade before the acrylics on canvas movement swept Utopia in the late 1980's. Glady swiftly changed mediums, as did many others, to the ease and liberation of acrylics. Having painted now for us for many years, Glady has become known to us as a fine dot artist with a quiet yet humorous spirit! Though her ability to speak English is not fluent, she is fun to converse with and always has an intelligible glint in her eyes. Glady usually resides with her close relatives Kathleen Ngale, Polly Ngale and Angelina Ngale in Utopia. The art of painting is a very social practice for Glady and the women of her community. Glady rarely paints anything other than the Anwekety Story, whereby fine dot work represents the sweet black conkerberry (anwekety in Glady's native language).
Glady paints the conkerberry. In Anmatyerre the conkerberry is called Anwekety. This fruit looks very similar to a plum and is often referred to in English by Glady as a 'bush plum'. In the Dreamtime, winds blew from all directions, carrying the Anwekety seed over Glady's ancestors' land. The first Anwekety of the Dreamings then grew, bore fruit and dropped more seeds. Many winds blew the seeds all over the Dreaming lands.
