Artwork Story
Minnie's painting illustrates the Anemangkerr, a small globular fruit that Minnie describes as being 'a little melon'. This fruit is high in Vitamin C and is favoured for its exceptional keeping qualities. Excess fruit is often threaded onto sticks, after removing the inedible black seeds. The fruit can then be dried and stored for a considerable period.
Minnie Pwerle
c. 1922
Deceased:2006
Language Group:Alyawarre
Country:Atnwengerrp, Utopia Region, North East of Alice Springs, Northern Territory
Medium:Acrylic on Canvas and Linen
Subjects:Awelye (Women's Ceremony), Anemangkerr (Bush Melon) Dreaming, Akarley (Northern Wild Orange), Awelye (Women's Ceremony) for Anemangkerr (Bush Melon)
Many of Minnie's paintings reflect possibly the oldest designs of art in the world; the body painting for women's ceremony - Awelye. These are linear designs that are painted onto the chest, breasts, arms and thighs. Powders ground from red ochre (clay) and ash are used, applied with a flat stick with soft padding. During the ceremony, Minnie and the women would sing the songs associated with their awelye, paint each other and dance. Awelye ceremonies are performed to demonstrate respect for the country and the total wellbeing and health of the community.
Minnie also painted the Dreamtime story of the Anemangkerr (Bush Melon) and also of the Akarley, which may be represented in her paintings by 'a-lube-eh-ditch' loops.
Her works are very bold and free flowing and immediately capture the attention of art lovers. Having never been taught art by way of European methods, nor having visited museums and contemporary art galleries, Minnie was one of Australia's top female contemporary Indigenous artists. Her paintings are loved for being so modern in style and yet so traditional and raw in subject.
Minnie was born in Alyawarre land, approximately 200 kilometers north east of Alice Springs, in approximately 1922. Speaking very little of the English language, Minnie made a bold, swift and unexpected entry into the European world of Australia in 2000 through painting. Minnie's eldest daughter, Barbara Weir born in 1945, was taken away at the age of 9 but they were both reunited in the late 1960's. For many years Minnie detached herself from Barbara. Sorry business had been done for her many years before and it was hard for Minnie to welcome a stranger claiming to be her daughter. Their lives were so different.
COLLECTIONS
AMP Collection, Melbourne, VIC
COLLECTIONS
Artbank, Sydney, NSW
COLLECTIONS
Art Gallery of South Australia, Adelaide, SA
COLLECTIONS
Art Gallery of New South Wales, Sydney, NSW
COLLECTIONS
Art Gallery of Western Australia, Perth, WA
COLLECTIONS
Australian Heritage Commission, Canberra, ACT
COLLECTIONS
Hank Ebes Collection, Melbourne
COLLECTIONS
The Kelton Foundation, Santa Monica, USA
COLLECTIONS
Kreglinger Collection, Melbourne, VIC
COLLECTIONS
Mbantua Gallery Collection, Alice Springs, NT
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
EXHIBITIONS
- Artist Name:
- Minnie Pwerle
- Artwork Size:
- 360 x 180cm
- Medium:
- Acrylic on Linen
- Year Painted:
- 2003
- Title:
- Anemangkerr (Bush Melon) Dreaming
- Free Shipping Worldwide!:
- This painting on linen will be shipped in a cylinder to you free of charge, worldwide! An option to have this painting 'stretched' onto a wooden frame may be available. If selected, further charges will apply and will be calculated at checkout.