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MB037476

Ngalyod (Female Rainbow Serpent)

Ken Ngindjalakku Djungkidj

Ken Ngindjalakku Djungkidj

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Medium
Ochre Pigments on Stringybark
Size
156 x 54cm
Year Painted
2001
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MB037476

Ngalyod (Female Rainbow Serpent)

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Info

Catalogue Number:MB037476 ,Width: ,Height:

Info

Catalogue Number:
MB037476

Artist Profile

Ken is the son of Aboriginal artist Mick Kubarkku, an acclaimed artist, and he l…

Artist Profile

Artist Profile

Ken Ngindjalakku Djungkidj
Born:

1972

Language Group:

Kuninjku

Country:

West Central Arnhem Land, Northern Territory

Medium:

Ochre on Bark, Screen Printing, Wood Carving

Subjects:

Namorrorddo (Spirit), Ngalyod (Female Rainbow Serpent), Birlmu (Barramundi), Yawkyawk (Young Woman Spirit), Untitled

Ken is the son of Aboriginal artist Mick Kubarkku, an acclaimed artist, and he learned to paint whilst watching his father.

COLLECTIONS
Djomi Museum, Maningrida, NT
Dr Colin and Liz Laverty Private Collection, Sydney, NSW
Museum of Victoria, Melbourne, VIC
National Gallery of Victoria, Melbourne, VIC
EXHIBITIONS
2000
Kuninjku Cosmology: recent works by Mick Kubarkku and his sons, Aboriginal & Pacific Arts, Sydney, NSW
2003
The Visit, Annandale Galleries, Sydney, NSW
2005
Recent works from Maningrida, Short Street Gallery, Broome, WA
REFERENCES
Bawinanga Aboriginal Corporation
(2023) Maningrida Arts & Culture, "https://maningrida.com/artist/ken-djungkidj/"

Information

Artist Name, Artwork Size, Medium, Year Painted, Title,

Information

Artist Name:
Ken Ngindjalakku Djungkidj
Artwork Size:
156 x 54cm
Medium:
Ochre Pigments on Stringybark
Year Painted:
2001
Title:
Ngalyod (Female Rainbow Serpent)

Description

Known as Ngalyod in the Kuninjku language of western-central Arnhem Land, the Rainbow Serpent is mostly associated with the bodies of water such as billabongs, creeks, rivers and waterfalls, where she resides. Therefore she is responsible for the production of most water plants such as water lilies, water vines, algae and palms that grow near water. The roar of waterfalls in the escarpment country is said to be her voice and the large holes in stony banks of rivers and cliff faces are her tracks.

Located at
Mbantua Alice Gallery