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 | Born: c. 1930's Deceased: 2007 Language Group: Anmatyerre Country: Ahalpere, Utopia Region, North East of Alice Springs Medium: Acrylic on Canvas and Linen, Batik on Silk Subjects: Anwekety (Conkerbery), Awelye (Women's Ceremony and Body Paint Design) |
Ally began painting during the CAAMA - A Summer Project of 1988/89 when acrylic painting was introduced to her home region of Utopia. Though far from prolific, Ally steadily painted up until her death in 2007. Her simplistic paintings reflected the Anwekety, small black conkerberries that grow after good rain. They are found abundantly in certain areas of Utopia, particularly where she called home.
Ally lived in a family community where many members were artists; primarily painting with some sculpture. Some of these family members include Glady Kemarre, Angelina Pwerle and Polly and Kathleen Ngale whom all paint for Mbantua Gallery. With her art, Ally tried to teach the wider world about her paintings and the Anwekety that features in them.
Collections
Mbantua Gallery Permanent Collection, Alice Springs
National Gallery of Australia, Canberra
The Holmes á Court Collection, Perth
Exhibitions
| 1989 | Utopia Women's Paintings, the First works on Canvas, A Summer Project, 1988-89, S.H. Ervin Gallery, Sydney |
| 1990 | Utopia- A Picture Story, an exhibition of 88 works on Silk from the Holmes á Court Collection by Utopia Artists who toured Eire and Scotland |
| 2000 | Mbantua Gallery, Alice Springs, N.T, Australia |
Ally paints the conkerberry (dot work). In Anmatyerre the conkerberry is called Anwekety. This fruit looks very similar to a plum and is often referred to in English by Ally as a 'bush plum'. In the Dreamtime, winds blew from all directions, carrying the Anwekety seed over Ally's ancestors' land. The first Anwekety of the Dreamings then grew, bore fruit and dropped more seeds. Many winds blew the seeds all over the Dreaming lands.
